Discography of Rob Zombie

Rob Zombie Greatest Hits Rar Download
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Zombies Greatest Hits Song List

Album title		Year	Tracks	Bitrate	Price
The Lunar Injection Kool Aid Eclipse Conspiracy	2021	17	320	€2.23
The Triumph Of King Freak (CDS)	2021	1	320	€0.13	Buy now Add to cart
Helter Skelter (With Marilyn Manson) (CDS)	2018	1	320	€0.13
Astro-Creep: 2000 Live - Songs Of Love, Destruction And Other Synthetic Delusions Of The Electric Head (Live At Riot Fest)	2018	11	320	€1.44	Buy now Add to cart
The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser	2016	12	320	€1.57
Spookshow International (Live)	2015	19	320	€2.49	Buy now Add to cart
The Zombie Horror Picture Show Bd	2014	17	320	€2.23
The Zombie Horror Picture Show	2014	19	320	€2.49	Buy now Add to cart
Venomous Rat Regeneration Vendor	2013	12	320	€1.57
Dead City Radio And The New Gods Of Supertown (CDS)	2013	1	256	€0.13	Buy now Add to cart

Features

From Hellbilly Deluxe to The Lunar Injection Kool Aid Eclipse Conspiracy, we rank Rob Zombie’s biggest, baddest bangers…

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Rob Zombie was a seasoned pro well before he struck out alone as a solo artist. Formed in 1985, his earlier, New York-based project White Zombie were conceived as a noise-rock collective, but went on to deliver some of the greatest truly heavy tracks of the 1990s in bangers like Thunder Kiss ‘65, More Human Than Human and Black Sunshine. He dropped his first “solo” effort – Hands Of Death (Burn Baby Burn), written and performed alongside Alice Cooper – in 1996, but it was only with the arrival of Hellbilly Deluxe: 13 Tales Of Cadaverous Cavorting Inside The Spookshow International that Rob truly solidified his identity as the demonic ringmaster leading a circus of gore-soaked electro-industrial and horror-obsessed hi-jinks.

Indeed, nowadays Rob Zombie is probably better known to the wider pop culture populace as the grotty cinematic auteur behind grindhouse revival movies like House Of 1000 Corpses, The Devil’s Rejects, 3 From Hell, 2007’s Halloween remake and its impressively gruesome 2009 sequel, but he’s still managed to produce a further six LPs of high-quality heaviness in the two-and-a-bit decades since striking out alone.

Rob Zombie Greatest Hits Rar Download

Critics will invariably point to Zombie’s almost-unwavering adherence to the floor-filling formula as his greatest weakness, but – just like the scuzzy midnight movies with which he’s so in love – that’s the whole point of the exercise. So, although a fair few of the tracks on this Top 20 are stylistically interchangeable, they’re no less satisfying when stacked on a pulse-quickening playlist. Turns out that cavorting with the dead really can feel hellishly alive…

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20. Mars Needs Women (Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls And The Systematic Dehumanisation Of Cool, 2010)

Although the “sequel” to Rob Zombie’s seminal 1998 solo debut Hellbilly Deluxe didn’t come close to reaching the heights of that earlier masterpiece, it’s hard to deny that there were a few stone-cold bangers in there. Named after Larry Buchanan’s schlocky 1968TV movie, the album’s fourth track packs some serious stomp as Rob declares ‘Mars needs women / Angry red women’ over industrial riffs sculpted from solid concrete. The album version adds a twangy two-minute intro, with John 5’s acoustic guitar and Tommy Clufetos’ bongos layering up the oddness, but even without out it, Mars Needs Women hits hard enough to blow a new crater into the distant red planet.

19. Well, Everybody’s Fucking In A U.F.O. (The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser, 2016)

‘This is the story of a one-eyed wolf / Called the honey of superdoom,’ sings Rob with unhinged relish on the lead single to 2016’s The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser. ‘She rode her five legged beast / In a mirrored bikini that came right out of the womb.’ Combining psychobilly weirdness and passages of chest-crushing heaviosity, Well, Everybody’s Fucking In A U.F.O. sounds at times like Ministry at their druggiest and at others quite unlike anyone else. Spitting couplets as crude as ‘But all they had was jizz on the walls / And bones of a mangled priest’ and hamming it up in the gleefully smutty Danielle Lovett-produced video, Mr. Z is clearly having the time of his life here.

18. Pussy Liquor (House Of 1000 Corpses: Original Motion Picture Soundtrack, 2003)

Deploying one of the most outrageous innuendos in hard rock history, this sample-heavy cut from the soundtrack to Rob’s feature film debut House Of 1000 Corpses comes on with impeccable, effortless cool. Dripping with sex and the sense of its own outrageousness, the marriage of that swaggering main riff and fist-pumping chorus feels like a dark, alternate universe version of the sort-of populist rock with which Muse would springboard into stadia over the decade that followed. As Rob cranks the sleaze, however, and asks, ‘One, two, three, who should I kill?’, it’s clear he’s happier when inhabiting far murkier spaces.

17. The Triumph Of King Freak (A Crypt Of Preservation And Superstition) (The Lunar Injection Kool Aid Eclipse Conspiracy, 2021)

Returning after five years away, 2021’s The Lunar Injection Kool Aid Eclipse Conspiracy found Rob Zombie on experimental, often downright playful form. 18^th Century Cannibals, Excitable Morlocks And A One-Way Ticket On The Ghost Train, for instance, was a bonkers exercise in acid-soaked Americana, while Boom-Boom-Boom adorned its moody, atmospheric soundscape with lyrics as audacious as, ‘Boom-boom-boom / The witch is in the room / Boom-boom-boom / She’s sliding up the broom.’ Lead single The Triumph Of King Freak (A Crypt Of Preservation And Superstition) is probably the most coherent offering on there, despite shoehorning moments of Bollywood-style exoticism and wibbly-wobbly hip-hop in alongside its gargantuan main riff.

16. Two-Lane Blacktop (Past, Present & Future, 2003)

Tagged on as the previously-unreleased single for 2003 compilation LP Past, Present & Future, Two-Lane Blacktop comes on like the uncharacteristically straightforward, three-minute hard rock banger custom-tooled for winding the windows down and hitting the open road. Because this is Rob Zombie we’re talking about, it’s also a tribute to Monte Hellman’s cult 1971 road movie of the same name, which plays out like a far grittier version of The Fast & The